APPRECIATING TALENT . . . AND KNOWING GENIUS WHEN YOU SEE IT . . .

The American Masters documentary on Marvin Gaye, which aired on PBS the other night, reminded me of an article I'd read and saved from the Charlotte Observer, a couple of Sunday's ago (4-27-08). The article, written by Mark Price, wasn't about Marvin, per se, but about the man responsible for the stunning, "What's Going On" album cover, Curtis McNair.

Mr. McNair designed most of Motown's covers between 1968 and 1972. His work includes the cover for Stevie Wonder's "Signed, Sealed, Delivered," Smokey Robinson's, "Tears of A Clown," Diana Ross and the Supremes' "Love Child" and "Some Day We'll Be Together," and The Temptation's, "Puzzle People" (one of my personal favorites).

But when it comes to the album cover in which Mr. McNair takes the most pride, it is, of course, Gaye's "What's Going On." Released in 1971, the album is considered a musical masterpiece by many. The lyrics and music penned, produced and song by Gaye, dealt with drug abuse, poverty, the ecology, spirituality, racism and the war in Vietnam.

The photo on the album cover, which was taken in Gaye's backyard, only adds to the beauty and the impact of the work. It's a headshot of Marvin with the collar of his black, leather coat raised and flecks of water and sleet dotting his face and hair.

Interestingly enough, the executive in charge of McNair's department, expressed an intense dislike of the photo. The executive's reaction is even more interesting in light of Motown head, Berry Gordy's own initial refusal to release, "What's Going On" as a single, because he saw it as too political and uncommercial. From what I gathered from watching the American Masters documentary, Gordy wasn't keen on Marvin making a serious, political record period.

Isn't it fascinating how often in their quest to reel in those extra dollars or in their blind certainty about "what works and what doesn't" the gate-keepers in the business world sometimes totally miss both the beauty and the "bigger picture?" (LOL)

If you'd like to learn more about Curtis McNair, check out the April 27, 2008 Charlotte Observer article by Mark Price, "Designed, sealed, delivered."

MY DREAM CONCERT . . . WHAT ABOUT YOURS?

The following is a version of a concept I stumbled upon the other night while browsing Community Live Journal's "Blackfolks" blog. For the purposes of the "Old School Mix," I added a couple of my own unique spins to the idea.

The Task: Select three musical artists (acts or groups) who you'd like to see perform in your very own "dream concert" and chose a venue for the performance.

The Limitations: The concert can only last 2 hours and you are only allowed to choose performers who are no longer with us . . . yeah, that's right, they have be to dead.

MY DREAM CONCERT

The ARTISTS I'd choose for my dream concert: Phyllis Hyman, Luther Vandross and Marvin Gaye.

The PLACE would be in Memphis, Tennessee at either the Orpheum Theatre or the Mud Island Amphitheatre.

The SET-UP: I'd have Phyllis open up the concert with a thirty minute jazz- flavored set. Luther would follow her with thirty minutes of his R &B hits. Of course, Marvin would come on stage and turn it out with thirty minutes of his hits from the 60s, 70s and 80s.

But the highlight of the show would be the last thirty minutes when I'd have all three grace the stage simultaneously. Talk about a blend of voices. The duets alone would be out of this world! Think about it . . . Phyllis & Luther . . . Phyllis & Marvin . . . Luther & Marvin. And all three together? Something tells me I'd feel like I'd died and gone to heaven (smile).

So given the task and the limitations, WHO would perform at YOUR "DREAM CONCERT"? WHERE would it take place? Who would go on FIRST? SECOND? THIRD?