Sexiest Songs Of All Time???

It's been a while since I felt the urge to write a music post. Well, earlier in this week, I ran across something that stirred, if not outright riled my inner DJ! (LOL) It all started when Malcolm, my blogging buddy over at Pop Culture Dish, shared the first 5 songs on Billboard Magazine's List of the "50 Sexiest Songs of All Time."

Upon my review of the entire list, which ranks Olivia Newton-John's "Physical" at number 1 and the Captain & Tennille's "Do Me One More Time" at number 10. My reaction was they've gotta be kidding! Okay, actually my reaction was more along the lines of, "ain't no way in hell" but anyway, you get the point.

So I've been thinking, if I were to compile a list of "The Sexiest Songs," which songs might be on it? Well, you'd best believe NOTHING by the Captain & Tennille. Even though I do like their music, as well as Olivia's, it's hardly sexy. I mean, really . . .

No, I'm thinking at the top of my list would be some Maxwell and some Marvin! Yeah, right up there at Number 1 would probably be Max's "Til The Cops Come Knocking." Coming in at a close second would be Marvin Gaye's "Come Get To This." At 3 and 4 would be Aretha's version of "Something He Can Feel" and Labelle's "Lady Marmalade." At number 5 would probably be Smokey Robinson and the Miracle's "Oo Baby, Baby."

Even though I might tinker a bit with the order, those would definitely be some of my top sexy song choices, but what about you? What songs would rank at the top of your own list of Top Sexiest Songs of All Time?

Thursday Thirteen #38 . . . 13 "Best of CDs" On My Wish List . . .

In a previous post, I joked about my recent purchase of a "Best of " Elton John CD. Yes, I am one of the last remaining CD-purchasing hold-outs and I own a nice-sized collection of "best of" CDs. But as of late, I've been thinking about some of the music I'd love to have, but have yet to purchase. The following list contains a sampling of the artists whose "best of " CD I plan to own one day . . .

1) Eric Clapton

2) Neil Diamond

3) Earth Wind & Fire

4) Jimi Hendrix

5) Jackson Five

6) John Mellencamp

7) Stevie Nicks

8) Parliment/Funkadelic

9) Dianne Reeves

10) James Taylor

11) Temptations

12) A Tribe Called Quest

13) Tupac

Well, do you own any "best of" CDs? If so, what, if anything, would you like to add to your collection?

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UNSUNG . . .Who would be on your list?

Besides the food, one of the things I most enjoyed over the Thanksgiving holiday was a TV One television special entitled "Unsung." The 4-part series explored the lives and musical talents of The DeBarge family, Phyllis Hyman, Donny Hathaway and The Clark Sisters. Each hour long segment gave a detailed account of the individual's or the group's rise and subsequent fall from the limelight. The series greatly exceeded my expectations and I managed to catch every segment except the one on The Clark Sisters--which was unfortunate, because of all the artists profiled, I know the least about them.

Some of the things I learned about the DeBarge family truly shocked me. I mean, I knew some of them had drug problems, but dag, not ALL of them! And like an astute observer on another blog pointed out, whatever they were using and abusing, straight-up wrecked some sho'nuff havoc on those good looks. They now all look to be about the same age as their 70-some year old mama. Say it aint' so, Chico, say it ain't so! (LOL) Yeah, Chico is my favorite DeBarge and I hope one day soon he and some of the others are able to get it together and come back out strong.

The Hyman and Hathaway stories I pretty much knew, but they still left me melancholy and wondering what each might be doing now and much more great music might they have produced had they lived.

I do hope the folks at TV One plan on continuing the series and perhaps even, at some point, including a few unsung actors and atheletes in the mix. "Unsung" was some of the most insightful, educational and entertaining TV I've watched in quite some time. If TV One is considering expanding the series and is in need of a few suggestions, the following are a few "unsung" singers, groups and musicians I'd loved to see profiled: Curtis Mayfield, Gil Scott Heron, Angela Bofill, Bill Withers, Roger Troutman, Slave, The Sylvers, The Brothers Johnson, Billy Preston, Michael Henderson, The Stylistics, The Dramatics, Norman Conners and Loose Ends . . .

Obviously, I could go on, but I'll stop there. What about you? What "Unsung" entertainers from the music world would you like to see profiled in an upcoming show?

THURSDAY THIRTEEN #19 . . . 13 MUSICAL ACTS WITH MEMPHIS TIES . . .

My debut novel, After The Dance, is set in Memphis, TN and contains a number of musical references. Even though most of the acts I reference in the book aren't Memphis-based ones, I thought it might be fun to compile a list groups, singers and musicians with ties to the Memphis area. Let me know which ones you already knew and which ones you didn't.

1) Al Green (Has long made Memphis his home and also pastors a church there.)

2) Aretha Franklin (Was born in Memphis. Her father, the late Reverand C.L. Franklin, earned his degree from an institution I once attended and where I met my hubby, LeMoyne-Owen College.)

3) The Bar-Kays (Started at Memphis' Porter Jr. High School and rose to fame on the old Stax recording label.)

4) B.B. King (Got his start performing on Beale Street and was once a DJ at Memphis' own WDIA.)

5) Bobby Blue Bland (Last I heard, he lived in Germantown, a suburb of Memphis.)

6) Earth, Wind and Fire (Group leader, Maurice White once called Memphis home and if I'm not mistaken, honed his musical chops at Memphis' Booker T. Washington High School.)

7) Elvis Presley (Lived and Recorded in Memphis. His South Memphis "Graceland" home is one of the city's biggest tourist attractions.)

8) Isaac Hayes (Long made Memphis his home and once performed on the old Stax label.)

9) Kirk Whalum (Grew up in Memphis and recently moved back to the city.)

10) Otis Redding (Performed on the old Stax label, a Memphis-based record company.)

11) Rufus Thomas (Long called Memphis home, recorded for Stax and was a DJ for Memphis' WDIA.)

12) Three 6 Mafia (As much as I hate to say it, this group is a Memphis product)

13) The Sylvers (All of the big afro-wearing members of this group were born in Memphis and got their start there before they moved to Cali.)

Did you find any surprises on this list? Can you name any other musical artists with ties to Memphis, TN?

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A FEW SONG DEDICATIONS . . .

A recent post on Bettye Griffin's blog (Chewing The Fat With Bettye) both inspired and amused my inner DJ. In her post entitled, "Who's Making Love To Your Old Lady While You Were Out Making Love" Griffin rails against all of those who've either been caught and/or who've been moved to confess of having "knocked boots" with someone other than a spouse.

While Ms. Griffin had the newly installed Governor of NY and his wife in mind when she selected one of Johnnie Taylor's classic hits for her blog's title, when I first heard about the past affairs of the legally blind, African American Governor, the first song that came to my mind was one by the blind Blues musician, Clarence Carter . . . you know, the song where he brags, "I be stroking, I be wearing it out."

A commercial with the blind Mr. Carter singing that particular song used to air pretty frequently when I lived in Memphis, which, in case you didn't know, is the offical home of both Beale Street and the Blues.

Anyway, after reading Ms. Griffin's post, my inner DJ was moved to dedicate a few songs, mainly of the Blues variety, to some of the folks who've been in the news of late.

1) To NY Governor David Paterson, I'd like to dedicate my man Clarence Carter's "I Be Strokin."

2) To Paul McCartney, I'd like to dedicate two songs: Johnny Taylor's "It's Cheaper To Keep Her" and John Lee Hooker's "I Need Some Money."

3) To Idaho Congressman Larry Craig, I'd like to dedicate two songs: Little Milton's "Behind Closed Doors" and Ko-Ko Taylor's "Wang-Dang-Doodle."

4) To Detroit Mayor Kwame Kilpatrick and his former Chief of Staff, I'd like to dedicate Johnnie Taylor's "We're Getting Careless With Our Love."

5) To Former President Bill Clinton and Hillary, also affectionately known as "Billary" I'd like to dedicate Z. Z. Hill's "Cheating In the Next Room."

6) To Former NY Governor Eliot Spitzer and his wife Silda, I'd like to dedicate: Memphis Slim's "Messin' Around" and B. B. King's "The Thrill is Gone."

7) For Eddie Murphy and Tracey Edmonds, I had to step outside of the box a bit in order to dedicate Kanye's "Golddigger." How's that line go again? "I ain't saying she's a golddigger, but she ain't messin' with no broke . . ." Also, in the more traditional vein, I'd like to dedicate to the pair B. B. King's "Never Make Your Move Too Soon."

8) And for the woman who sat on the toilet for two years (y'all heard about that madness, right?) I'd like to dedicate two songs: Jimmy Witherspoon's "Ain't Nobody's Business If I Do" and Big Joe Turner's "Everyday I Have The Blues."

Okay, those are my selections. You want a turn? Is there someone to whom you'd like to dedicate a song or two? Go 'head. Give it a whirl (smile).

(Written while listening to John Lee Hooker's "You Know, I Know" "It Serves You Right To Suffer" and "One Bourbon, One Scotch, One Beer;" Muddy Water's "Mannish Boy" and Johnny Taylor's "Take Care of Your Homework.")

THURSDAY THIRTEEN #18 . . . 13 FAVORITE "PRINCE" SONGS . . .

Hey, you knew this post was coming, didn't you? (smile) I'm a Prince fan from WAY BACK. The following are some of my favorites, but by no means are the top 13 on my list. Matter of fact, I could have easily made a list of 20. But ranking them is much too difficult an undertaking. As it was, I left off favorites like Pop Life, 17 Days, Raspberry Beret, If I Was Your Girlfriend and 1999. But let me quit complaining and get to the list.

1) Another Lonely Christmas (b-side of I Would Die For You/1984)

2) Anotherloverholenyohead (Parade / 1984)

3) Baby I'm A Star (Purple Rain / 1984)

4) Erotic City (b-side of Let's Go Crazy / 1984)

5) Girls & Boys (Parade / 1986)

6) Head (Dirty Mind / 1980)

7) I Would Die 4 U (Purple Rain / 1984)

8) Lady Cab Driver (1999 / 1982)

9) Let's Go Crazy (Purple Rain / 1984)

10) Nothing Compares 2 U (1992)

11) Purple Rain (Purple Rain / 1984)

12) She's Always In My Hair (b-side of Raspberry Beret / 1985)

13) Thieves In The Temple (Graffiti Bridge / 1990)

Do you have a favorite Prince Song or songs? If so, go ahead and name it and claim it (or them) in the Comments.

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WHAT'S YOUR PREFERENCE? THE ORIGINAL? THE REMAKE? OR BOTH . . .

Let's play a game, shall we? Okay, I'll name a song and you tell me which version you prefer. Are you game? Of course, there are no real winners or losers and no prizes will be awarded nor will any money will be changing hands (smile). And, of course, I plan to share my preferences as well . . .

1) FEEL THE FIRE (Peabo vs Stephanie Mills) Okay, I REALLY enjoy BOTH of these versions of the song. I just saw & heard Peabo's version on Soul Train classics, this past Saturday, so I'm leaning hard in brother P.'s direction. But Ms. Mills' versions is in my car's cd rotation.

2) KILLING ME SOFTLY (Roberta Flack vs Lauryn Hill) Again, I'm torn. I like both versions. But if forced to choose, I'd have to go with sister Flack.

3) I SHOT THE SHERIFF (Eric Clapton vs Bob Marley) Gotta go with Marley on this one.

4) TO BE YOUNG, GIFTED AND BLACK (Nina Simone vs Donnie Hathaway) Both versions make me cry. But I owned Simone's version on a 45 when I was little girl, so she gets my vote.

5) HOW COME YOU DON'T CALL ME? (Prince vs. Alicia Keys) Come on folks, don't even try it. Prince all the way!

6) LADY MARMALADE (Labelle vs Christina Aguilera, Mya, Pink and Lil Kim) Okay, I have to give it to them, the youngsters held their own on this one. BUT nobody says, "Itchy geetchy ya-ya, da-da," like Patti, Nona and Sara. Y'all betta recognize!)

7) FOREVER, FOR ALWAYS, FOR LOVE (Luther Vandross vs Lalah Hathaway) This may surprise you, but I think Lalah out does Luther on this one. Her versions really takes my breath away.

8) IF THIS WORLD WERE MINE (Marvin & Tammi vs Luther & Cheryl Lynn) This is such a beautiful song and they all do such wonderful jobs. Today, I'm gonna say both. It's a tie.

9) NEVER CAN SAY GOODBYE (Michael Jackson vs. Isaac Hayes) Yes, Mr. Hayes is a hometown (Memphis) product, but I've gotta go with MJ's version.

10) CRUISING (Smokey vs DeAngelo) The hubby hates both of these equally (LOL). But I think I'm a tad more partial to DeAngelo's version.

11) DO ME BABY (Prince vs. Meli'sa Morgan) Sigh, I don't know why she even tried to go there. Again, it's all about the Purple One. Prince baby!

12) I CAN'T STAND THE RAIN (Ann Peebles vs Tina Turner) Sorry Ms. Tina. Ms. Ann has this one SO covered can't nobody touch it (smile).

13) OUTSIDE MY WINDOW / ANYTIME (Meshell Ndegeocello vs. Brian McKnight) According to Brian these are two different songs. Ha! Man please. Meshell did it first and she did it better. Ya heard?

Would you like to share some of your choices from my list? Yes, I know, there are plenty of others. Any in particular you'd like to add?

THURSDAY THIRTEEN #15 . . . 13 OF MY FAVORITE "BEST OF" & "GREATEST HITS" MUSIC COLLECTIONS . . .

This list didn't come easy. I have a ton of "best of" & "greatest hits" cds from a variety of musical genres. In order to simplify the task, I decided to take my hard-core "jazz" and "blues" collections off the table altogether. So here we go and in no particular order-- a short list of SOME of my favorite "best of" and "greatest hits" music collections.

1) PRINCE (Prince: The Hits/The B-Sides) 4 favorite cuts: Erotic City, Let's Go Crazy, Head & Purple Rain

2) STEELY DAN (The Definitive Collection) 3 favorite cuts: Peg, Deacon Blues & Rikki Don't Lose That Number

3) ARETHA FRANKLIN (Aretha's Best) 5 fav cuts: A Natural Woman, Rock Steady, Call Me, Day Dreaming & I Never Loved A Man

4) MARVIN GAYE (The Best of Marvin Gaye: Vol 2. The '70s) 3 fav cuts: Trouble Man, Come Get To This & Inner City Blues

5) AVERAGE WHITE BAND (Pickin' Up The Pieces: The Best Of Average White Band) 2 fav cuts: School Boy Crush & Cut The Cake

6) LENNY KRAVITZ (Lenny Kravitz Greatest Hits) 2 fav cuts: Again & Heaven Help

7) BOBBY MCFERRIN (The Best of Bobby McFerrin: The Blue Note Years) 2 fav cuts: Freedom Is A Voice & Friends

8) PHYLLIS HYMAN (The Legacy of Phyllis Hyman) 3 fav cuts: Betcha by Golly, Wow, Old Friend & Living All Alone

9) CHIC (The Best of Chic: Dance, Dance, Dance) 3 fav cuts: Good Times, Everybody Dance & I Want Your Love

10) JOHNNIE TAYLOR (Johnnie Taylor: The Twenty Greatest Hits) 3 fav cuts: I Believe In You, Cheaper To Keep Her & We're Getting Careless With Our Love

11) TEENA MARIE (Teena Marie: Greatest Hits) 3 fav cuts: Square Biz, Behind The Groove & Portuguese Love

12) LUTHER VANDROSS (Always & Forever: The Classics) 3 fav cuts: Superstar/Until You Come Back To Me, Anyone Who Had A Heart, & I (Who Have Nothing)

13) THE ISLEY BROTHERS (The Essential Isley Brothers) 5 fav cuts: That Lady, Harvest For The World, Summer Breeze, Fight The Power & The Pride

What are your favorite "best of" and/ or "greatest hits" music collections? Feel free to name them, even if they didn't make my list.

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A FEW THINGS THAT KINDA GREW ON ME . . . IN 2007 . . . (Part I: Music)

Don't worry. This isn't a post about weird moles, foot fungus, back fat or anything else that, by all right, ought to run by the nearest family physician or neighborhood pharmacist. No, I'm not talking about that sort of growth.

I'm talking those things that you start out not really feeling, but for some strange reason you keep drifting back to and before you know it, you're straight, cold sprung on, like:

Jill Scott's "The Real Thing: Words and Sounds, Vol.3"

Like a lot of folks, I'd been faithfully awaiting Jilly from Philly's latest release. But when I initially brought home 'The Real Thing" and pop it on, I was like what the . . . ?! First of all, I was not feeling the new 'do or the cd cover photos. On the back she looked like like she'd just finished having a crying/hissy fit and on the front, I couldn't figure out if she was striving to look sultry, constipated or pissed. In any case, I wanted the old Jill back, the one with flaming red 'fro, the 'you ain't even ready for the likes of this' grin, and the slamming, all up in your face lyrics.

So for the first couple of days, the only cut I listened to was the one getting all the radio air play, "Hate On Me." But then one day, I slipped up, left it on and quickly found myself getting all caught up in the intoxicating groove of "Crown Royal." Jill, if you're listening, you really do need to come out with an extended version of that song, girl. You know, something along the lines of Marvin's 30 minute version of "Got To Give It Up?" I swear, I've played "Crown Royal" over so many times, I've nearly worn out the 'previous' button on my Windows Media Player.

Late at night, while I'm pecking away at the keyboard or surfing the net, I like listening to music with my headphones on. So naturally, I started turning to Jill to get my "Crown Royal" and "Hate On Me" fix. But pretty soon, I wasn't just stopping with those two. "My Love" with its telephone conversation opening sounded so much like the real deal, I couldn't help but stop and listen to a vexed and perplexed Jill tell some ole boy:

"Yo, I'm tripping right. I heard you got married. You got married? That don't really make any sense. I mean, its not like I didn't think you were seeing other people or whatever. I mean, I was seeing other people. But you know what this is. You know what it was. I can't say I really understand though." (from Jill Scott's "My Love")

Oh yeah! And then she goes on to put dude in check with a cool and collected that's all right, "cause my love is deeper, tighter, sweeter, higher fly-yer, didn't you know this Didn't you notice?" I guess she told him, huh? (LOL) Anyway, after getting hooked on that cut, I started taking a closer listen to the one after it "Insomnia" which breaks of a bluesy little ditty about a woman who's lying in bed, tossing and turning, watching the clock and waiting for the phone to ring. Yeah, a lot of us have been there, right? Okay, let me stop (smile).

The song that sealed the deal for me, the one that really renewed my faith in Jilly from Philly was the oh so funky, soulful and deeply political, "How It Make You Feel." It took me a couple of listens before I really "got" the message, not only because of the clever way it's posed, but also because I couldn't believe Jill actually owned the audacity to ask: "What if, poof, every Black female in the world disappeared? Tell me, how you'd feel if I was gone?"

For me, as a Black woman, this question is profound on a lot of different emotional levels, in particular given the indifference the media routinely exhibits in the disappearance of Black women. I could go on a tangent, but I instead I'll just say in reponse to Jill's question, a lot folks, including some within our OWN community would really give less than a d@m# if every Black woman (excusing their own mamas, perhaps) suddenly disappeared . . . Sorry, that's just how I feel y'all (smile). Anyway, Jill said it better and against a musical backdrop, no less.

And you know, as far as the "Real Thing" cover photos are concerned, I actually kinda like the ones on the inside of the cd and thought they were much more flattering. But hey, I'm not the one getting paid to make those decisions.

So, have you ever had a similar experience? Any particular cds, albums or musical artist ever grow on you? You started out hating it or them, but then something happened . . . you really started listening and suddenly discovered your were a fan? Do tell.

A SHORT LIST OF MY FAVORITE . . . OLD SCHOOL DUETS . . .

It's been a while since I posted about one of my favorite subjects--music. So let me take a moment to rectify that situation (smile). While visiting with the kinfolks in Memphis over the holidays, I heard a lot of that NEYO & JENNIFER HUDSON jam on the radio, "Leaving Tonight." There's not a whole lot coming out these days that really grabs my attention. But "Leaving Tonight is one of those songs I actually stopped and listened to the first time I heard it. Nothing tickles my fancy like a nice duet.

The following are some of my other favorite "old school" duets and I bet you'll find quite a few surprises on the list. Let me know if we share any favorites or if there is a song (or songs) on my list that grate (s) on your last nerve (smile).

1) Don't Look Any Further (Dennis Edwards & Siedah Garrett)

2) Nothing Has Ever Felt Like This (Will Downing & Rachelle Ferrell)

3) If This World Were Mine (Luther Vandross & Cheryl Lynn)

4) Love Has Finally Come At Last (Patti Labelle & Bobby Womack)

5) Tramp (Carla Thomas & Otis Redding)

6) With You I'm Born Again (Billy Preston & Syreeta Wright)

7) Ain't Nothing Like The Real Thing (Marvin Gaye & Tammi Terrell)

8) Your Smile (Rene & Angela)

9) You're All I Need (Mary J. Blige & Method Man)

10) There's Nothing Better Than Love (Luther Vandross & Gregory Hines)

11) The Closer I Get To You (Donnie Hathaway & Roberta Flack)

12) Where Is The Love? (Donnie Hathaway & Roberta Flack)

13) Love Makes Things Happen (Baby Face & Pebbles)

14) Loving You (Nancy Wilson & Peabo Bryson)

15) Spirit In The Dark (Aretha Franklin & Ray Charles)

MY DREAM CONCERT . . . WHAT ABOUT YOURS?

The following is a version of a concept I stumbled upon the other night while browsing Community Live Journal's "Blackfolks" blog. For the purposes of the "Old School Mix," I added a couple of my own unique spins to the idea.

The Task: Select three musical artists (acts or groups) who you'd like to see perform in your very own "dream concert" and chose a venue for the performance.

The Limitations: The concert can only last 2 hours and you are only allowed to choose performers who are no longer with us . . . yeah, that's right, they have be to dead.

MY DREAM CONCERT

The ARTISTS I'd choose for my dream concert: Phyllis Hyman, Luther Vandross and Marvin Gaye.

The PLACE would be in Memphis, Tennessee at either the Orpheum Theatre or the Mud Island Amphitheatre.

The SET-UP: I'd have Phyllis open up the concert with a thirty minute jazz- flavored set. Luther would follow her with thirty minutes of his R &B hits. Of course, Marvin would come on stage and turn it out with thirty minutes of his hits from the 60s, 70s and 80s.

But the highlight of the show would be the last thirty minutes when I'd have all three grace the stage simultaneously. Talk about a blend of voices. The duets alone would be out of this world! Think about it . . . Phyllis & Luther . . . Phyllis & Marvin . . . Luther & Marvin. And all three together? Something tells me I'd feel like I'd died and gone to heaven (smile).

So given the task and the limitations, WHO would perform at YOUR "DREAM CONCERT"? WHERE would it take place? Who would go on FIRST? SECOND? THIRD?

MUSICAL CHOICES . . . SOME OF THIS? . . . OR SOME OF THAT?

In typical old school fashion, I belong to a cd music club. No ipod, mp3 player, pesky downloading issues and premature deafness for me, mon . . . not yet anyway.

Most times, after I've flipped through the music club's booklet a couple of times, one selection will stand out from the rest. Sometimes it's something from the Jazz bin. Sometimes it's something from the wonderful world of R &B. And every once in a while, it's a soft Rock classic or else some of them down-home Blues. Generally though, my attention is seized by only ONE cd.

But after scanning this past week's offerings, I found myself being pulled back to not ONE, but (gasp!) THREE different cd titles. I'm sure, in time, I'll add all of these title to my collection, but practical (frugal . . . okay, cheap) gal that I am, at the moment, I'm only looking to add one.

My choices are: (1) The Police: Hits and Highlights Why? Oh, come on! This is the '80s at its best. "Every Breath You Take" , "Don't Stand So Close To Me." I know I'm not the only one who gets goose gumps and hears something primal in Sting's voice when he screams, "Roxanne!"

(2) Lou Rawls: Live! Hey, don't laugh. Okay, well after you stop laughing, check this out. This is Brother Lou in his prime, before all of that "Groovy People" business. If I'm not mistaken, this is the only Lou Rawls album my parents own . . . which is also the reason why, I never stole it ( See last year's "Holiday Pat Down" post for a list of music I did steal from the folks). Lou Rawls: Live! has classics on it like, "Stormy Monday", "Tobacco Road", "St. James Infirmary" and "The Girl From Ipanema." So, if you don't know, now you know. And last, but not least,

(3) The Very Best Of Chicago: Only The Beginning. Whenever I hear songs by the group Chicago, I think about two things, being a kid and living in Idaho. Thanks to my Dad's ties to the US Air Force, I spent part of the 3rd grade and all of the 4th and 5th grades in Mountain Home, Idaho. Seems like I heard songs like, "Saturday In The Park", "Does Anybody Really Know What Time It Is? and "If You Leave Me Now" on the radio when my Mom would be ushering me off to school in the morning. That period in my life is one of my favorites.

If you'd like to weigh-in on my decision, you're welcome to post your suggestions or thoughts on the matter. Which cd would be your pick? Of, in what order would you purchase the three selections? Like I said, at some point, I'm sure I'll own all three. So, there really are no right or wrong answers.

THURSDAY THIRTEEN . . . 13 VOICES I MISS . . .

One of my biggest complaints about today's popular music--so much of it sounds alike. Turn on the radio and listen. Now imagine the voice you're hearing without the music in the background. Uh-huh, most of the guys are yelping, grunting or whining, while most of the girls are stuck on wail, scream or purr. Ain't a whole lot of straight-up sanging going on (smile). Yeah, I said it. Meant it too. Where have all of the distinctive voices gone? Where are the songs and the voices we'll want to listen to 10, 20, 30 years from now?

The following is a list of distinctive voices . . . voices of singers who are no longer with us . . . voices that still make me smile whenever I hear them on the radio. My list is in no particular order and in all honesty could continue on well past the number 13.

THIRTEEN VOICES I MISS . . .

1) MARVIN GAYE

2) LUTHER VANDROSS

3) MINNIE RIPERTON

4) LOU RAWLS

5) JOHNNY TAYLOR

6) PHYLLIS HYMAN

7) DONNY HATHAWAY

8) CURTIS MAYFIELD

9) SARAH VAUGHAN

10) JAMES BROWN

11) DAVID RUFFIN

12) TUPAC

13) BIGGIE

So . . . which/what voices are on your list?

After you're finished here, you might want to jump over to Malcolm's Pop Culture Dish and check out his Thursday list of 13 "TV Shows I Would Love To See In Reruns Again."

HAVE MUSIC . . . WILL TRAVEL . . .

I just returned home after having visited 4 cities in 2 weeks. It was fun, though a bit tiring, like traveling with the family can sometimes be. Had it not been for the music, I probably wouldn't have made it beyond a couple of days (smile). Really, I mean, What's a road trip without music? Please, I don't even want to think about it.

When the hubby and I first started traveling together, umpteen some years ago, our musical preferences/differences were something we had to sort out. I like my music loud. He doesn't. While I enjoy a variety of music, I prefer R & B, hip-hop and jazz. The hubby can only take a limited amount of hip-hop, prefers "smooth" jazz, and is even more OLD SCHOOL than am I when it comes to his preferences in R & B.

Moreover, I'm pretty sure, had ole boy been traveling alone, he would have listened to nothing but CLASSICAL music. I don't have anything against classical music. It's all right. I mean, I can listen to it for a good, solid 10 minutes or so . . . before I'm overcome by an overwhelming desire to slit my own wrists or somebody else's throat (LOL).

In recent years, I've managed to assemble a collection of mutually agreed upon cds. These are tunes we both enjoy and have little problem listening to over and over again. On our latest road trip, I managed to sneak in a best of Stephanie Mills collection and that went over well enough to become part of the permanent rotation. But when I dropped a best of Aretha collection on ole boy and tried to get him to join me in a "Freeway of Love" sing-along, he wasn't having it. Though, I think I heard my son humming in the backseat to "Chain, Chain, Chain" so there may still be hope (smile).

The following is currently the mutually agreed list of tunes we listen to when we set out on long road trips:

1) Next Exit (Grover Washington, Jr.)

2) Cache (Kirk Whalum)

3) Hang Suite . . . & . . . Now (Maxwell)

4) Ride (Boney James)

5) What's Going On (Marvin Gaye)

6) Best of Smooth Jazz (Vols.1-4; Various Artists; Warner Bros)

7) When Skies Are Grey (Ron Carter)

8) Bill Withers (Greatest Hits)

9) Kemistry . . . & . . . Kem II (Kem)

10) Bang!Zoom (Bobby McFerrin)

11) Always & Forever: The Classics (Luther Vandross)

Of course, had it been left to me, there would have been some Common, Coltrane, Miles, Badu, Jaguar Wright, Ndegeocello, India Arie, Jill Scott, Raheem DeVaughn, some old Isley Brothers and Al Green, some Heather Headley, Cassandra Wilson, some Lauryn Hill, a bit of T.I and the list goes on . . .

So, what do you listen to when you are on the road?

POP CULTURE MUSINGS . . . OLD SCHOOL MIX STYLE . . .

1) Am I the only one who agrees with J. Anthony Brown (of Tom Joyner fame) that most of today's young, female R & B singers sound (and often look) like roosters on crack?

2) Am I the only one who finds it ironic (if not highly questionable and wrong) that the only two couples on Grey's Anatomy who are NEVER seen getting any play are the two, married African American couples?

3) Does anyone besides me ever wonder why there aren't more brothers (African Amercian males), who can actually sing (like a Reuben Studdard) making it into the early (much less the final) rounds of American Idol?

4) Is anyone besides me cheering the August 7th release of Soul Food - The Second Season on dvd! Dag, it's about time . . .

5) Am I the only one who thinks both R. Kelly and Avant look like they ought to be wearing some really thick a$$ prescription glasses?

6) Am I the only one who prays the Queen of Soul (Aretha) never suffers a Janet Jackson-like wardrobe malfunction?

7) Does anyone besides me think the rapper T.I. puts you in mind of a light-skinned Rakim (from Eric B. and Rakim fame)?

8) Does anyone besides me think Prince has gotten prettier (better looking) with age?

9) Am I the only one who wonders what Al Sharpton, Verdine White, Nick Simpson, Michael Jackson and his royal badness, Prince, would look like without a perm?

10) Am I the only one who has found herself being threatened with bodily harm (and by a relative, no less) when I merely pointed out that quite often when Mary J. sings live, she sounds flat and off key?

11) Does anyone besides me pray that Lauryn Hill gets it together and comes back out strong?

12) Does anyone besides me think "blue-eyed" R & B singers from back in the day like Tina Marie, Jon B., Lisa Stansfield and hell, even Boz Scaggs and the Hall & Oates sounded way more soulful and authentic than folks like Joss S., Justin T. and Amy W.? I mean, come on now, I'm just saying . . .

Anyway . . . what do you think? (smile)

COLTRANE . . . A Few Kernals of Truth About Gifts and Genius . . .

A couple of nights ago, I started listening to John Coltrane Gold, a cd that showcases the music of jazz saxophonist, John Coltrane. Thanks to my Dad, I grew up listening to Coltrane and a number of other jazz greats. It's only been in recent years though that I've become genuinely interested in learning about the man and the artist behind the sax and the unique sound.

In the liner notes of John Coltrane Gold, the writer Ashley Kahn (author of several books on jazz, including The House That Trane Built: The Story of Impulse Records, 2006) lists three facts that might not be commonly known about John Coltrane. Embedded within the three statements, I think, are kernals of truth worthy of a deeper contemplation, especially by those of us who call ourselves "artists" as well as those who express a desire to one day do so. The following are Ashley Kahn's three points in reverse order and my own feelings and comments about them.

3)"Coltrane was (musically) a late bloomer."

I think it helps to know that Coltrane didn't jump out the box and immediately start blowing folks away with gems like, "Giant Steps" and "A Love Supreme." Not only did his ascent to greatness begin later in life than some, he suffered many a set back along the way--most notably a drug habit that led to his being kicked out of Miles Davis's band.

While we live in a society that prefers to herald the over-night sensations, and is currently tailored toward the "talents" of the young, blonde, dumb, rich and anorexic, it isn't uncommon for destinations like "genius" and "legend" and "phenomenon" to start later and further back on the long, winding road of life. Michael Jordan got cut from the basketball team as a sophomore in high school. Dr. Benjamin Carson was 36 (not 26) when he performed the first successful separation of Siamese Twins joined at the back of the head. Albert Einstein was 4 years olf before he learned to speak. Toni Morrison was 39 when her first novel, The Bluest Eye, was published and was 57 when she received the Pulitzer Prize. The list goes on . . .

2)"Coltrane was a tireless experimenter. But he was not one who discarded the old for the new."

In the world of jazz, there is a concept known as the "riff." A riff is a form of improvisation. It's when one musician borrows and builds upon the musical phraseology of another. It's about taking someing old and making it sound new. Jazz is all about the riff. Hip-Hop, with all of its borrowed and outright stolen samples ain't nothing but some riff mixed in with a whole lot of raff (LOL). In all seriousness, Ashley Kahn states in the Coltrane Gold liner notes that many of the techniques folks consider so avant-garde are things Trane picked put during his early days of playing the blues and frequenting the bars in Philly.

In order to buck a tradition, I think it helps to know it first. Coltrane not only acknowledged and respected what came before him, he incorporated much of it into his own style. Too many in today's world, artists and non-artist alike want to dismiss everything that came before them as old, outdated and therefore, useless. Mention something like the African Amercian "oral tradition" and a number of folks will assume you're talking about something sexual (LOL). That's unfortunate. A knowledge of history and culture and an appreciation for the achievements of one's predecessors (and contemporaries), can nourish, strengthen and empower one's work. Why cheat yourself of a foundation that is yours for the taking?

1)"Coltrane was not a musical prodigy. What he achieved, he did with a workman's sense of duty and an almost obsessive dedication."

I love that statement, if only because it suggests that Coltrane's "genius" grew out of his commitment to working on his craft and honing his skills. His wife Namia reportedly said that often times after coming home from a gig, "Trane would practice till he fell asleep with the horn in his mouth." (from Ashley Kahn's liner notes, John Coltrane Gold, 2006)

The level of intensity and commitment exemplified by Coltrane's behavior is, for all too many, a foreign concept. I've stopped counting the number of folks who insist they want to be published, but who subsequently excuse their apparent lack of discipline and productivity with some version of, "Well, you know, I can only write when I'm inspired."

Even when I don't come right out and say it, I'm generally thinking, "Honey, forget about being inspired. What you want to be . . . No, what you NEED to be is DRIVEN. You've got to want to do this thing so bad that there are no plausible excuses for not doing what you know, by right, you ought to be doing. A person who is DRIVEN will FIND the time. The man or woman who is truly DRIVEN will DISCIPLINE him or herself."

As far as gifts are concerned, while I do believe the "desire" to create is truly a gift from God. I also believe whether that gift flowers, flounders or simply fades away is entirely up to and contingent upon the efforts of the individual. More often than not, "genius" (unlike salvation and most certainly not to be confused with such) is a gift that is earned.

* * *

Disclaimer: I try not to give too much advice about writing. First of all, I have no educational background or formal training in English/Lit. Matter of fact, I'm fairly hellbent on breaking as many of the "rules" as I possibly can, while still being somewhat coherent. Second, until I actually have a book or two on the shelves, I think it would be wise to refrain from instructing others on what it takes to achieve such (smile).

AKON . . . PRINCE . . . AND THE CONCEPT OF RESPONSIBILITY . . .

I caught an interview with Prince on BETJ last week. At one point, the interviewer told Prince how much he enjoyed the song, "Dirty Mind." He asked if Prince would be performing the song in his up coming tour or any of the other risque material for which he's known.

Prince smiled and asked the interviewer what he thought Prince should do. The guy said, in so many words, "Hey, go for it." Prince said, "Well what should I do about the 14 year old who's sitting in the front row?

The interviewer said, "Well, you never thought about the 14 year old back in the 80's . . ." To which Prince responded, "No, back then, there were no 14 year olds seated in the front row. Besides, I'd like to think that I've grown and I'm more responsible than I was back then . . ."

Responsibility? Wow, what an interesting coincidence. Not only did my last post on "The Death Of Hip Hop" address the topic of artistic and collective responsibility, the post was written in the hours prior to my viewing of the Prince interview.

So what does any of this have to do with the singer Akon? Well, there is that picture of him and the alleged 14 year old girl currently making the internet rounds. You know, the one with him on stage on his back and babygirl sitting atop his thighs? Yeah, even if you haven't seen it, you get the picture, I'm sure.

Anyway, I've heard all of the excuses. How was he supposed to know how old she was? Her little fast tail didn't have any business there in the first place. Did you see how she was dressed? And where were her parents?

Spare me, please. After all is said and done, she's still 14 years old (allegedly) and at age 34 (I believe) Akon is still a grown azz man. Perhaps one good place to start would be not pulling anyone up on stage for the purpose of simulating sex. Since when is strip club behavior appropriate for a concert? I guess around about the time we all decided any and everything goes, huh? I'm pretty sure, at this rate and given the direction things are going, actual sex on stage will be next. And after that, what? Publicly relieving oneself on folks' children? Oh, I'm sorry I guess R. Kelley already did that . . . allegedly (smile).

Prince, His Royal Badness personified, is right. Back in the 80's, I had the pleasure of attending a couple of his concerts and I can personally vouch for what he said about 14 year olds not sitting up front row center of his shows. They weren't. They shouldn't be at Akon's either--not front row center (under the circumstances) and most certainly not up stage straddling his 34 year old thighs. If we were all committed to being responsible, they wouldn't be.

But if we truly want this kind of foolishness to end, we can't just stop at blaming the parents, much less the child. And at age 14, I don't care how she's dressed, she's still a child. It takes a village y'all. So stop co-signing this mess and act like you know.

THE DEATH OF HIP HOP . . . PART IV (A Few Graveside Remarks)

Just the other day, the Hip Hop Summit Action Network, led by Russell Simmons and Benjamin Chavis came out and urged the industry to ban the use of "nigga, bitch and ho" from all so-called clean versions of rap songs . . .

"Our discussions are about the corporate responsibility of the industry to voluntarily show respect to African Americans and other people of color, African American women and to all women in lyrics and images."

Ah . . . yeah . . . right . . .

I'm sort of inclined to agree with Joan Morgan, the author of "When Chickenheads Come Home To Roost." She said the recommendations were, "shortsighted at best and disingenuous at worst." Really, it does still sound very much like yet another royal passing of the buck. Cha-ching! I guess some of us still don't want to own up to being complicit in our own degradation . . . "Can I get a, What?! What?!" (smile) Yeah, I said it. Meant it too.

Even though Simmons and Chavis merely SUGGESTED that the industry VOLUNTARILY show a bit of respect toward the folks they ritualistically and habitually demean and malign and with such zeal, a lot of folks are outraged. They look at the REQUEST as a giant step toward CENSORSHIP and a violation of FREE-SPEECH. "If you don't like it, don't listen to it," they say. "If you don't want your children to hear it, turn off the radio. Do a better job of monitoring what your children buy and watch on TV." Yup, that's what they say, all right.

Hmm . . . Well, couldn't that very same logic have been applied to Imus? Or Richards? Or any other nutcase or fool who opens his mouth and barfs up hate? How come it's okay to wanna shut up and shut down folks, that aren't too many of US listening to anyway, but it's somehow NOT OKAY to ask the brother from around the way, the one who looks like you or who could very well be your son, sibling, uncle, nephew, cousin or spouse . . . how come it's not okay to POLITELY ask that brother to refrain from the constant use of the very same words?

How come we really think it's okay for us to wanna have it both ways? Hate speech is hate speech, isn't it? Or is SOME hate really more excusable . . . permissible . . . or perhaps, simply more lucrative than some other?

I think it's ironic, if not incredibly revealing how so many of the folks, who in the aftermath of Michael Richard's public moment of insanity were all too willing and eager to place a universal ban on the use of the word, "nigger" (and all of its colorful variations) are now suddenly incensed at the thought of not being able to hear or spew--when, where and however they might please--a constant barrage of bitches and ho's.

I bet Dave Chappelle could put together one heck of a funny skit behind that particular brand of madness. Can't you picture it? Some blinged out, platinum grilled rapper, who's got two scantily clad women on choke-collars and dog leashes, crawling around at his feet. And the rapper, let's call him, MC Ignant Azz, is crying, rubbing his eyes and pleading, JB-style to some faceless, cigar-smoking fat cat figure who's sitting behind a desk, "Please, please, please Mr. Big Man, Suh, I done already give you my boy, 'Nigga.' Why you wanna go and take my gals, 'Bitch and Ho?' Oh, Lawd, Mr. Big Man, Suh, please just let me have, 'Bitch and Ho!" How else is I suppose to make my bens and my ends meet?!" Hmm . . . it's kinda got a nice antebellum-like ring to it, don'tcha think? (LOL)

For the record, I don't believe in censorship. Snatching books out of schools, pulling records/cds off shelves and setting bonfires to material deemed offensive, all seem kind of Nazi-like to me. I would never advocate an outright ban on the use of any word . . . not nigga, not bitch, not ho. Should we ban the word, "Fire" just because some idiot thinks it's funny to scream it in a movie theatre? But then again, if some idiot does scream "fire" in a theatre where there is none, I don't mind at all in assisting in putting his behind out.

As I've stated elsewhere, for some of us, the issue was never about censorship, it was and is about RESPECT. Yeah, remember that song, and the line, "R.e.s.p.e.c.t. find out what it means to me," that Aretha made famous, way back when? Yes, as much as some of y'all ain't trying to hear it, along with the freedom of expression comes something called responsibility . . . responsibility towards one's self and one's community.

Anyway, back to our skit . . .

"Respect and responsibility? Oh, Lawd, No, Mr. Big Man, Suh, what is I'm ever gone find to rhyme with that?"

Finally, Mr. Big Man, Suh stands and speaks, "Well, MC Ignant Azz, I guess we both gone have to find us something else to exploit."

The two of them, Mr. Big Man, Suh and MC Ignant Azz bump fists and pat each other on the back before walking off side-by-side into the sunset.

THE DEATH OF HIP HOP . . . PART II (Musical Selections) . . .

For Part I (The Eulogy) see previous post

Before any final, closing remarks, I have several musical selections I'd like to propose for The OSM's Hip Hop Home-Going. I mean really, what's a funeral without music, right?

Anyway, for the opening selection I suggest a duet, let's say, Pete Rock and C.L. Smooth's "They Reminisce Over You."

Perhaps we could follow that with a solo by India Aire. Oh yeah, you know it's got to be "I Am Not My Hair."

Then perhaps we ought to throw in something by the heavily sampled Godfather of Soul. I'm thinking JB's, "Say It Loud (I'm Black and I'm Proud)."

Well, before the last viewing of the body, how 'bout we turn the party out with some of Heavy D & The Boyz' "Nuttin' But Love."

Then to end on a proper note, I'm think we oughta totally flip the script and do something more traditional. I'd dare say, The Wynton Marsalis' Septet's "Recessional" (from "In This House, On This Morning") would be most approriate for our final hymn.

Would do you think? I mean, beside the fact that I'm tripping (smile). Do you like my choices or would you have opted for something different? Feel free to share your suggestions and comments . . . just remember to keep them brief because we've got to hurry up and bury this bad boy.

LINKS . . . & A FEW OTHER INTERESTING/ODD TIDBITS

A WRITING WORKSHOP: My agent passed along this link to the Hurston/Wright Writers' Workshop. (Thanks J.) I, personally, know 4 people who have attended the week-long workshop and they all rave about the experience. The deadline is April 20, 2007. Only serious writers need apply. A few scholarships are available.

POETRY: Did you know April was "National Poetry Month?" The folks at Knopf do. In honor of the occasion, they will send you a free poem (and other extras, like audio clips and info about your favorite Knopf poets) every day through the month of April if you visit their site and register.

CLASSICAL MUSIC: My friend MR sent me a link to a site that showcases and explores African American heritage via the world of classical music. The site--http://www.africlassical.com contains audio links and other informative tidbits.

A NEW PUBLISHER: Have you heard? Tina McElroy (author of The Hand I Fan With, Ugly Ways, & You Know Better ) has launched a new publishing company. DownSouth Press won't start accepting submissions until July 1, 2007. Check the site for details.

A NEW LITERARY FORUM: Mat Johnson (author of The Great Negro Plot, Hunting in Harlem and Drop) has launched a new literary discussion board. Niggerati Manor Forum is the name of the spot.

ARETHA FRANKLIN: Currently, I'm working on a novel that incorporates the title of one of my favorite Aretha Franklin song's "A Natural Woman." In the course of my research about the Queen of Soul, I stumbled across this brilliant piece by "the literary thug" that delves into Aretha, her music and her demons. "The Portrait of An Artist As A Young Woman" is essential reading for any serious R & B and/or Aretha fan.

THINGS THAT MAKE YOU GO, "Hmm . . .": I wish I could remember where I saw this comment about the whole Michael Richards and the "N" word incident, so I could provide the link. But essentially, someone pointed out that we, as African Americans, appear more upset with Richard's repeated use of the word nigger than we are by the fact that he also openly suggested his African American hecklers be sodomized with a fork and lynched. And all I can add to that is, "Hmmm . . . "