I'M BACK!!!

I know it's been a while since I touched base here. All I can say is, several years ago, social
media’s rise in popularity blew in like a hurricane and left the blogging world in pieces. Like a lot of my old blogging buddies, I abandoned my post (s) and moved elsewhere. Typically, these days you can find me on Facebook and Goodreads, but thus far I’ve held off on jumping aboard Twitter, Instagram and the like.  I mean really, who has the time and energy for all of that, particularly if you have any interest in living a real life (and not a social media contrived one)?

In any case, I’d still like to use this platform to share my work and perhaps, occasionally, my interests, concerns and warped

sense of humor. So, allow me to start with some links to my most recent publications.

In April of this year, Mississippi Folklife published

Forgotten Images of An Invisible Man: Resurrecting the Art and Memory of Photographer TC Reese,  an essay I wrote about

my uncle, a black photographer with MS and TN roots.

If you've enjoyed my fiction in the past, or if you are new to my fiction and are

interested in a sampling, check out my short story “The Inheritance”  that was recently (June 3, 2018) featured in The Root.

As always, feel free to share you thoughts about the material in the comments section.  I do have one more link to share, but I think I will save it for my next post.

Lots of Links . . . Some Informative, Others Just For Fun

Who do you write like? Find out @ I write like. My son introduced me to this site. After you type in a writing sample, it will give you the name of the author it thinks you write like. When I typed in a passage from one of my... novels, it told me I wrote like Stephen King. If you try it, let me know your results . . .

Some great advice HERE from Author Tananarive Due. Among the things she mentions in this speech are 4 ways writers sabotage their work: 1) You want to write, but you don't write; 2) You write, but you don't finish what you write; 3) You finish what you write, but don't submit for publication & 4) You submit what you write, but you don't re-submit. Check out the link for details.

Lots of useful info for newbie writers in the following Youtube clip. In Ask Marita!, Author Marita Golden provides answers to the following: 1) How do I write with regularity; 2) What do I do after my manuscript is finished? 3) What does an agent do?; 4)How do I get an agent?; 5) Is self-publishing a viable option? Check out the clip for Ms. Golden's responses.

The following is a clip of my favorite Muppet, Grover, doing a spoof of the Old Spice Guy commercial.

Thursday Thirteen # 49 . . . My 13 Writing Essentials

WRITING ESSENTIALS ( 13 Things I need/want/like having at my disposal when I write)

An article in the September 2010 issue of Writer's Digest, "Essentials To A Writer's Life" by Erik Larson inspired me to come up with my own list of writing essentials. Larson and I share a need for coffee, but some of the other items on his list were things like "Blocks of Undisturbed Time" "Oreo Cookie" and "A Fireplace."

Even though I wrote down the first things that came to mind, I wouldn't necessarily rank my "essentials" in the order in which they appear . . .

1) CAFFEINE: My drug of choice is coffee--General Foods, Hazelnut Café, to be specific. But in a crunch, I’ll go with an ice cold Coke, or a Dr. Pepper or even a tall glass of sweetened iced tea.

2) LOTS OF LIGHT: During the day, I prefer natural light. Thanks to the previous owner, my house has shades, blinds and a number of dark screens on the windows. I’m guessing he must have been a vampire or something . . . I needs my light!

3) A WINDOW: Yeah, the light thing again. Also, I like being able to catch a glimpse of the outside world every now and then.

4) AN INK PIN: I prefer a pen with a thick, bold, black tip. (Stop, don’t even go there, :-D) Uni-ball’s Vision Elite, Bold 0.8mm are typically what I use.

5) ACCESS TO MUSIC: Often times I write with a little jazz playing in the background or on my headset. Depending on the writing project though, sometimes I’ll listen to r&b, blues, hip-hop or rap. Typically when I’m listening to something other than jazz, I’m attempting to create a certain mood-—one befitting of the particular section I’m in the process of writing.

6) A COMFORTABLE CHAIR: Back support and an ability to embrace the tush are the two most important features here. If it swivels, rocks and turns, that’s even better.

7) CALM, QUIET, PEACEFUL ENVIRONMENT: While I’ve trained myself to write just about anywhere (like the ballpark, the dentist office, in front of a blaring television), I prefer a place where the distractions are few. You’re not likely to find me writing in a bar, restaurant or a coffee shop or any other public place by choice, but I have been known to write in the bath tub . . .

8) A DICTIONARY: I can’t spell y’all, so a dictionary is a must. Plus, it helps when I’m not sure if the word I want to use is the best or proper choice. I do keep a Thesaurus nearby, but I don’t use it much—-probably because I’ve heard too many teachers, authors and others speak on the dangers of becoming overly dependent on the Thesaurus.

9) A GRAMMAR REFERENCE GUIDE: The paperback English Handbook I was assigned as a freshman in college has served me well over the years. Yeah, it’s old and some of the pages have pulled loose from the binding, but you couldn't’t pay me to part with it.

10) A YELLOW LEGAL PAD or SPIRAL NOTEBOOK: I prefer composing in long-hand with an ink pen, hence the need for a pad or notebook.

11) BOTTLED WATER: Gotta keep those brain cells hydrated.

12) A BABY NAME BOOK: I like know the meaning and origins of names. Sometimes, when I’m having “problems” with a character, I’ll start going through the baby name book and see if name change is in order.

13) STIMULATING MATERIAL: When I’m really enjoying what I’m writing, it’s like spending a little time in my own private corner of heaven.

If you write (or engage in some other creative endeavor), I'd love to hear what you consider "essential" when you give yourself over to your muse.

If you'd like to visit other Thursday 13 participants

START HERE

A Natural Woman . . . Reading Beyond The Words

Recently, a reviewer with APOOO gave my novel, A NATURAL WOMAN, 5 stars!!!!! It's always nice when someone expresses appreciation for your work. It's even better when someone demonstrates a real understanding of your work. I think on some level this reviewer recognized that A Natural Woman is more than just a story about a woman’s obsession with her hair or pursuit of a man.

In a A Natural Woman the real story exists just beyond the words on the page, if that makes any sense. Really, if you engage in a close read, you'll discover the story peeking at you from behind the little things, like

**Dante's fascination with Kafka's THE METAMORPHOSIS

**Aliesha’s office in the basement of building called Sojourner Hall

**The lover who tells Aliesha he wants to be her Teacake and wants her to be his Janie

**The blind, bald clairvoyant who can see what others can’t

** Aliesha’s discussion of the “beloved disciple”

**the presence and power of the dead

** Dante’s 40 day disappearance

** The spider Dante spies on the ceiling

Of course, the fact that I didn't think too many folks would "get" A NATURAL WOMAN didn't stop me from writing it. Sometimes you just have to be willing to go there . . .

Why Do I Write? What's The Pay-Off?

Several weeks ago, someone asked me what I perceived as the "pay-off" for what I do and ever since then, I've been pondering the "why" of it all.

Sometimes I wonder. It's certainly not the modest amount of money or attention it's garnered me, thus far. To be honest though, I've never had a burning desire to be rich or a celebrity or even a member of the in-crowd. I'm sure for some, even thinking such is a shocking sacrilege. We do appear to live in a society where just about everybody and their mamas make a point of clamoring for an extended stay in the spotlight, if not the 15 minutes of fame to which they somehow and for some reason feel entitled.

Mainly, I write because I enjoy it. The sheer pleasure of it, when it's going well, mind you, ranks right up there with eating and sex. Over and beyond my own enjoyment, I think I write because I'm in awe of the pleasure it's capable of bringing to others. Nothing beats a letter from a reader who claims my novel, After The Dance made her laugh harder than she's laughed in years. Nor will I ever forget the comments of the woman who attended one of my library readings and said what she enjoyed most about reading my book was that she could actually read the love scenes without cringing or squinting her eyes.

Fan mail and positive feedback from folks who've read and enjoyed my work, make some of the less-than-pleasant crap one is forced to endure on the "author's journey" worthwhile. But please don't look for me to go into detail about any of that crap. I'd much rather stay focused on the pluses and the positives, rather than those things that truly make me wonder if picking up a pen and writing another damn word is worth it.

If you're a writer (or an artist) and you feel like sharing, I'd love to hear your reasons for doing what you do.

Authors Behaving . . . Badly . . .

I'm always fascinated by what folks share with me upon discovering that I'm a published author. At the doctor's office the other day, a woman shared with me a story about a book signing she'd attended at a local bookstore. The popular author was one whose work the woman had enjoyed in the past and she was too tickled at the opportunity to finally meet this person in the flesh.

Unfortunately, most of this woman's good feelings about the author soured when she (the woman telling the story) stepped up to the table and handed the author her book. The author looked at the woman, frowned and said, "This book is old. I'm only signing copies of my new book today."

Well, the woman said she wasn't about to get out of line, grab one of the new books and get back in line again. So, she reached over, snagged herself a book and said, "Okay, sign this."

Rather than happily oblige, the author looked at the woman, frowned again and grumbled, "You haven't even paid for this yet."

The woman was like, "Dag, would you just sign the book already! I am not getting out of line just to pay for this and then have to get back in line all over again."

Well, the woman finally got her book signed. But she hasn't forgotten the experience and her feelings about the author in question are hardly what they used to be.

Granted, everyone is entitled to their own way of doing things, but had I been the author, I would have signed the old book and thanked the fan for taking the time to come out and meet me. Sheesh, isn't that what folks with common sense and good home-training do? Yes, I understand and appreciate the desire to make a profit, but sometimes it ain't about "short money," it's about the long-game and the big picture. Chances are, not only will that woman never buy another book by that particular author, but some of the other bystanders who witnessed the incident will in the futute, no doubt, keep their money in their pockets as well.

That's not the first story I've heard about authors behaving badly. And some of the behavior I've been privelged to see with my own two eyes, would truly be funny, if it weren't so damn sad. I'm sorry, I just I don't get these writers, authors, scribblers and scribes who've decided they're the best thing to hit the scene since barbequed chicken wings. They treat people any kind of way. They talk to people any kind of way.

I remember how much I used to enjoy this one author's blog. I'd never read his work, but his blog was funny and insightful, though somewhat edgy at times. Before I could go out and purchase a couple of his books, I read an exchange between him and a visitor to his blog. The author's comments toward the visitor were so mean-spirited and condescending and in a so much holier and smarter than thou kind of way, it was a complete turn-off. It's been over a year since I read the exchange and till this day, I still haven't read or purchased any of the author's books.

I mean really, people, we write books . . . most of us aren't out here risking life and limb in order to rescue folks from burning buildings . . . most of us aren't actively engaged in searching for the cure for cancer . . . not too many of us are capable of safely landing a plane in a body of water, much less walking across some without sinking.

So, for those of you still out there swinging your big heads through the clouds, and acting like folks are supposed to drop to their knees and fawn all over you when you walk into a room, get a damn grip and stop ruining it for the rest of us.

ALL OF THE HUMBLING REMINDERS . . . Along The Way . . .

It never fails. Whenever I find myself on the verge of crossing my arms, frowning, shaking my head and muttering, "To hell with it all" some tiny spark appears along my path and shines a bit of much needed light my way.

Sometimes these sparks appear in the form of fan letters from folks I've never met before. One kind reader wrote, "Hi Lori, I just finished reading your book After The Dance and wanted to let you know how much I truly loved it. I don't know if Carl was really a beggin brother or if he was just a man who had no problem showing his feelings. I need me a brother like that . . . Thanks again, I think I'm gonna read this for a 3rd time." Oh yeah, you best believe I grinned behind that for days (LOL).

Other times the spark will appear in the form of comments from friends. Recently, a dear old friend shared with me how much his father enjoyed After The Dance. For the record, my friend's father is 76 years old and he's experienced a number of health issues of late. But according to my friend, not only was my novel the first book his father had picked up in years, but it appears to have aroused within him a desire to read other things. Wow! I'm telling ya, for a debut author, it doesn't get much better than that (smile).

In the early part of last week, a trip to the mail box revealed that one of my sisters-in-law had sent me a couple of my books and a request to sign them and send them back to her. Similarly, just this past Friday, one of my father's retired miltary buddies shot me an email in which he informed me he was having three more copies (over and beyond the three he'd already purchased) of After The Dance sent to my PO Box and he wanted me to sign them and send them back to him.

And truly, for me, one of the coolest things about this whole experience has been being able to visit various library websites and get a glimpse of just how many folks are interested in my book. At one point last week, 27 of the 28 copies of After The Dance owned by the Memphis Public Library had been checked out. Even better, upon browsing my title at the public library here in Charlotte, I discovered that not only were all 15 copies of my book in circulation, but there were 7 requests currently on file which meant that 7 additional individuals were eagerily awaiting a copy.

I said all of that, not to brag, but to remind myself and any other newbie author out there that this is a journey, one that will be full of ups and downs and more than a few confusing round and arounds. Rather than get bogged down, side-tracked or deterred by any of the numerous insults and disappointments (oh yes, there have been plenty, I'm just not gonna give voice to any of them here . . . well, at least, not yet anyway *smile*) my/our primary task is to learn what we can from it all while staying humble, remembering always to give thanks and keep moving forward, one small step at a time.

101 EXCUSES FOR WHY YOU CAN'T WRITE . . . RIGHT NOW . . .

One of my favorite essays about "writing" was penned by the Cleveland Plain Dealer columnist, Regina Brett. If you're "thinking" about writing, but you aren't sure how to start, I'd advise you to read her essay "Words are free. Write. No excuses" and really take it to heart. More than likely, you will see one or more of the excuses you've used or continue to use as a convenient cop-out. Deep down, you probably already know this--but you're really not fooling or hurting anyone, besides yourself (smile).

Want a short course on how not to write? The following are some of my favorite bits and pieces from Brett's essay . . .

**Watch hours of mindless TV.

**Visit a chat room of writers.

**Answer the phone everytime it rings.

**Fret over whether it's who or whom, lie or lay, its or it's . . .

**Agonize over whether to use colons or semi-colons.

**Recall every bad writing grade you ever got.

**Replay scenes in your head of every teacher who ever criticized your work.

**Get your doctorate in creative writing first.

**Find the right writers group.

**Wait until you get over your fear of rejection or fear of success.

**Complain that it's too hot, too cold, too muggy or too nice outside to write.

**Analyze every idea before you write the first sentence.

**Use only big words to impress people.

**Sign up for another writer's conference instead of actually writing.

**Look for affirmation from everyone around you.

**Waste time envying other writers who have it so easy.

**Edit as you go. Check the rules of grammer and punctuation before you finish every paragraph.

**Talk about your ideas so much that even you lose interest.

**Wait until you have children.

**Wait until your children stop teething, finish soccer season, go off to college.

**Wait until you go on vacation.

**Wait until you retire.

**Wait until you find your muse.

**Wait until you feel inspired . . .

You get the point? Like I said, read the entire piece; it's more than worth your while. Besides, aren't you in need of yet another excuse not to write anyway? (LOL) If any of these sound familiar, feel free to comment.

LET'S TALK ABOUT SEX, BABY . . .

Uh-huh, got your attention, didn't I? (smile). Shame on you. You know good and well it's NOT that kind of party up in here (LOL). Okay, I do want to talk about sex in literature and more specifically, your preferences as far as what you might consider too much or too little; too explicit or not explicit enough.

I've been amused by some of the comments folks have been making about After The Dance as far as the love scenes are considered. (What?! Your book contains love scenes?!) Ah, yeah, it is a love story and one called AFTER The Dance, no less . . . Anyway, folks appear to be falling into one of two camps when it comes to their thoughts on the matter--either the book wasn't quite steamy enough for them OR they found it a bit too steamy.

Personally, I don't think the book is steamy at all. On a scale of 1-10 with 10 being the hottest, I'd rate it about a 4-5. Really. But then, I've read a lot, seen a lot, done a . . . (LOL). Okay, let me stop. After The Dance is a humorous look at love, and do note the emphasis on humor, as opposed to anything hot and/or heavy. I'm sure someone will correct me if I'm wrong, but I believe the novel contains a total of two make-out scenes and two love scenes, none of which, in my view, are terribly explicit or contain details of a graphic nature.

Yet and still, I've informed my own young'n that he's to go nowhere near this particular novel until he's at least sixteen. Of course, if he's anything like me, I'm sure by age sixteen he will have snuck and read all of the so-called juicy parts and, if he's so inclined, moved onto trashier and nastier things (LOL). Forgive me y'all, I'm just a realist when it comes to certain things.

I'm sure I'll get plenty of flack for saying this, but IMHO, a lot of today's so-called urban-lit and/or erotica is really porn with a loose plot thrown in for good measure. Hey, the market is what it is and I, for one, believe GROWN FOLKS have a right to read whatever it is they enjoy, be it porn or poetry and without a whole lot of snide commentary from the ivory-tower thriving, self-appointed book police. But the other truth is, I'm not interested in writing porn, poetry, urban-lit, street-lit, chick-lit or romance. (What?! I thought After The Dance was a romance novel?!) Ah, NO, even though I often describe it as a "romantic comedy," I view it as a love story, NOT a romance, in the traditional sense. There is a difference.

So what say you? Do you think today's literature contains too much sex? If you do, what, in your opinion, is too much sex? (too much emphasis? too many scenes? too many details? way too graphic?) Are you satisfied (no pun intended *smile*) with the amount of sex in the books you read?

If you've had a chance to read After The Dance, what did you think about the love scenes? Did you find them too steamy? Not steamy enough? Did you think there were too many scenes of the "hot & bothered" variety? Would you have liked to have seen more?

The floor is now open. Feel free to discuss . . .

ANOTHER WRITER'S WISDOM . . . ON PUBLISHING YOUR FIRST BOOK . . .

While blog hopping several weeks ago, I ran across a gem of a piece entitled "Things I've Learned Since My First Book Got Published." The writer, Cherie Priest, posted a list of 20 things she'd learned in the process of publishing her first book.

Even though my own debut novel is still several months away from hitting the shelves, I can already relate to most of the items on Ms. Priest's list. The following are the ones in particular that made me nod, smile, laugh and had me shouting "Oh so true!"

Priest: "Everyone will think you are rich: Obviously, if you got a book published, someone must have given you fat sacks of cash dollars American . . ."

(My comment: Not only will people assume such, some will be so bold or rude as to ASK about the amount of your advance. Please, if nothing else, do understand, that those six figure book deals you sometimes read or hear about are the EXCEPTIONS, not the rule. Most folks who score a publishing deal are not getting paid mega-bucks. So, if that's the only reason you're trying to write, I'd advise you to look for a more lucrative hustle.)

Priest: "No one will believe you did it by writing a book that was worth publishing. Aspiring writers will be sure you had a secret short cut and you are a raging bitch for holding out on all those other poor folks who are just as worthy as you . . ."

My comment: Why is it some folks want to believe all you need is to secure the right "hook-up" or association with the right person and/or persons and the rest will take care of itself? Maybe there are some folks who actually do brown-nose or bull-s&!t their way into book deals. But I'm inclined to think the majority took the same route I did-- you know, the one that starts with sitting one's butt down in a chair somewhere and writing until there's a finished product? And if you think that part is hard, there's really no need of discussing what comes next.

Priest: "You now have the inside track to publishing. Everyone you've ever known--even in passing--who has ever written a book now thinks it's your God-given duty to put them in touch with your agent/editor/publisher. This will get awkward."

My comment: Ain't that the truth! Again, it appears to be the ole "hook me up" phenomenon at play here. Folks you hardly know and whose work you've never even read want you to "hook them up" with your agent or the editor at your publishing house. Really, this is not the same as making a recommendation for a foot doctor, a plumber or a hair stylist.

When it comes to finding an agent, I really think it's best to do YOUR OWN research as opposed to asking me for mine (smile). Find out the names and the contact info for the agents who represent what you've written. Find out if they're currently taking on new clients. Write them a query letter describing your work, telling them about your background and possibly why you want them to represent you.

Okay, I don't mind you asking me how I got my agent, or even about our working relationship. If I like you and trust that you won't abuse the info (see the next item on the list) I may even give you her name (smile) but PLEASE DON'T ask me for her contact information. It's not my job to hook you up.

Priest: "People will use your name to lie. At least twice, other writers with whom I was peripherally acquainted approached my (now former) agent and told him that I'd recommended them."

My comment: Nothing shocks me any more. In this age of win at all costs, folks seem willing to say or do anything if they think it will get them ahead. This is one of the main reasons I avoid giving out detailed information about my agent and other literary contacts. I have yet to give the name of my agent on this blog, but any savvy Googler can easily find it. But for the record, I honestly haven't been with my agent long enough to feel comfortable recommending folks to her.

Besides, recommendations don't always work out. I got MY FIRST AGENT via a totally unsolicted recommendation from a well-intentioned associate. If I told you who that agent was and who else she represented, you'd probably be incredibly impressed. But even though she eagerly signed me, she, as it turns out, was SO NOT the right agent for me.

As I indicated, these were some of my favorites from Cherie Priest's 20 item list. If you'd like to read the others see: "Things I've Learned Since My First Book Got Published."

A PSA ON THE TOPIC OF "PLAYWRITERS" & "FICTIONAL NOVELS" . . .

This public service announcement is primarily aimed at those of you out there in blog-land who didn't cringe or frown when you read the words "playwriter" and "fictional novel" in the title of this post.

The proper term for someone who writes plays is "playwright" as I gently pointed out to the relative who proudly proclaimed himself his church's premiere "playwriter."

For the record, there is no such word as "playwriter." It's one of those made up words, like its ghetto cousin, "conversated." If you don't trust me, look it up for yourself. Unless you're using the New School Dictionary of Ebonics, I'll doubt if you'll find it. The same applies to "fictional novel." If you are currently using this term, for heaven's sake (as well as your own credibility and self-respect), please stop. Seriously, it readily marks you as someone who doesn't have a clue or a dictionary.

Short lesson here, so take notes. A novel is by definition a work of fiction. To insist on describing a novel as fictional is sort of like using the ebonics expression "kilt dead" or "killed dead," if you will. As much as I enjoy the playful use of language, I'll be d@m# if I ever get caught dialing up 911 and yelling into the receiver, "Send the police! Somebody got kilt dead over here!"

One day, years ago when I worked at the public library in Memphis, a gentleman, who fancied himself a writer, told me he'd come in to do a bit of research on his "non-fiction novel." I just nodded, smiled and said, "Uh-huh, good luck with that." Of course, besides wanting to laugh, I couldn't help but think, "What the ---?!"

Still not convinced? Okay, not long ago I watched a reality program on TVOne called "Stage Black." The show featured the playwright, David E. Talbert and his attempts to help a group of young actors break into the business. In the process of critiquing some of their work and upon noting how defensive they were becoming, he paused and said something that had me waving my hand and shouting, "Amen!"

Talbert explained that most people in the business weren't going to be as honest with them about their shortcomings. He said folks were going to let them make a plumb fool of themselves, only to shake their hands afterward, smile in their faces and assure them they'd be in touch. But as soon as they'd exited the theatre, that same director would frown and say, "Scratch him/her off the list and don't ever allow him/her back up on my stage again."

If you don't think that same kind of truth applies to those of us who are out here looking to be respected as writers and authors, you're fooling yourself. To borrow a phrase from the COS, "Come on people!" wake up, do you homework and stop trying to half-step.

Really, I'm not trying to be mean. We all fall short of the mark sometimes. I have no problems admitting that I'm a horrible speller, a lazy proof-reader and I could very well use a refresher course in the basics of grammar. But in addition to relying on my computer's spell check and keeping both a dictionary and an English text nearby, I've learned to accept being called out on my errors. After all, isn't that how you learn and grow?

So hey, if this post rubs you the wrong way, maybe next time, rather than hanging out here at the "Old School Mix," perhaps, instead you ought to dive into that "fictional novel" you've been planning to read. You know, the one written by your friend, the famous "playwriter?" (Smile)

An Excerpt From "THEFT" by Lori D. Johnson . . . From The Best Of Memphis Anthology 2003 . . .
"Theft" is a story I wrote while living in Cleveland, Ohio. The story is set in Memphis and deals with an ill-fated trip to a grocery store and the severing of the bond between two cousins. The story appeared in the Best Of Memphis Anthology 2003, edited by Jeff Crook and published by Kerlak Enterprises, Inc.
A small portion of "Theft" is currently featured in Kerlak's "Reading Room." and follows the excerpt from Beth Boyett's "The Dead Money." If you'd like to read "Theft" in its entirety and/or checkout some of the other work featured in the collection, copies of The Best of Memphis Anthology 2003 can still be purchased from Kerlak, in bookstores throughout Memphis and through Amazon.com.

A FEW ANSWERS . . . TO A FEW QUESTIONS . . .

1) Why don't you blog more often? Same reason I don't read more. I'm generally too busy writing. There are only so many hours in a day. When I'm not working on a serious project, I like spending as much time as I can doing things with the family and away from the computer.

2) Why don't you have more writers/authors on you list of links? In most things, I'm not one to play favorites. But I must admit to owning a bias for African American writers who hail from the South. With that in mind, at the present time, I've decided to limit my writer/author links to folks with ties to Memphis, TN (my home town) and Charlotte, NC (where I currently reside). Of course, it is a woman's prerogative to change her mind.

3) Why doesn't your blog contain more info about your book? Patience grasshopper. It's coming. I just received a copy of my cover a week or so ago. As soon as I receive the official okay, I'll post it.

4) Why do you blog so much about music? You obviously missed that post (smile). Check it out here, if you're interested or need a refresher. But the short answer is, writing, reading and music have always gone hand-in-hand for me. I was born in Memphis, home of the Blues, Al Green, B.B. King (got his start there), Bobby Blue Bland, Rufus Thomas, Earth Wind & Fire (even though they seldom claim it) Isaac Hayes, Stax Records and Beale Street. Oh yeah, and Elvis too (smile). I grew up in a home where jazz and r &b was purchased, played and partied to on the regular. Quiet as it's kept, and in another life, mind you, I really did want to be a Disc Jockey. You'd best believe, I'm jamming to some Aretha (who, by the way was born in Memphis) as I type this. "Rock Steady Baby!"

5) What's up with those Cleveland links? I lived in Beachwood, a suburb of Cleveland, Ohio for 4 long, cold-a$$ years, before I relocated to Charlotte. The links are just my way of showing my Cleveland peeps some love.

6) Will your novel, After The Dance, be anything like your blog? God-forbid. LOL. My novel is simultaneously a romantic comedy and a parody of sorts, in that it pokes fun at various elements of the traditional "romance" genre. My novel is set in Memphis and contains a number of old school musical references. Hmm, I sense a contest coming on. Question #1 who can guess how many song references the book contains? And the prize? I haven't worked that out yet. But I am open to suggestions.

7) What's up with the black & white baby picture? And how come you haven't posted a current photo of yourself? What? You don't like my baby picture? I hate having my picture taken. Always have. But I'll post a more current one soon . . . maybe . . . we'll see (smile).

8) How come you don't have a website? Dag, give a sister a break, why don't ya? I'm slow, but I'm getting there. Really, I am. Soon as it's up and running, I'll let you know.

9) How come your blog contains so many doggone lists? I'm guessing some sort of undiagnosed obsessive-compulsive disorder. LOL. Seriously though, creating lists is something I've done since I was a child.

Any more questions?

I just might have few more answers in me.

WORDS OF WISDOM & HUMOR . . . FROM MARK TWAIN . . .

The following notice appeared in the opening of Mark Twain's The Adventures of Huckleberry Finn--

"Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot."

I think, quite often, a lot of us feel this way . . . but would never dare say it (smile). Of course, to be SUCCESSFUL in today's marketplace, we need all of those things and more. Don't we? (LOL) It's okay if you don't "get" the humor in the statement above. The truth is, the joke is generally always on the writer . . .

LINKS . . . & A FEW OTHER INTERESTING/ODD TIDBITS

A WRITING WORKSHOP: My agent passed along this link to the Hurston/Wright Writers' Workshop. (Thanks J.) I, personally, know 4 people who have attended the week-long workshop and they all rave about the experience. The deadline is April 20, 2007. Only serious writers need apply. A few scholarships are available.

POETRY: Did you know April was "National Poetry Month?" The folks at Knopf do. In honor of the occasion, they will send you a free poem (and other extras, like audio clips and info about your favorite Knopf poets) every day through the month of April if you visit their site and register.

CLASSICAL MUSIC: My friend MR sent me a link to a site that showcases and explores African American heritage via the world of classical music. The site--http://www.africlassical.com contains audio links and other informative tidbits.

A NEW PUBLISHER: Have you heard? Tina McElroy (author of The Hand I Fan With, Ugly Ways, & You Know Better ) has launched a new publishing company. DownSouth Press won't start accepting submissions until July 1, 2007. Check the site for details.

A NEW LITERARY FORUM: Mat Johnson (author of The Great Negro Plot, Hunting in Harlem and Drop) has launched a new literary discussion board. Niggerati Manor Forum is the name of the spot.

ARETHA FRANKLIN: Currently, I'm working on a novel that incorporates the title of one of my favorite Aretha Franklin song's "A Natural Woman." In the course of my research about the Queen of Soul, I stumbled across this brilliant piece by "the literary thug" that delves into Aretha, her music and her demons. "The Portrait of An Artist As A Young Woman" is essential reading for any serious R & B and/or Aretha fan.

THINGS THAT MAKE YOU GO, "Hmm . . .": I wish I could remember where I saw this comment about the whole Michael Richards and the "N" word incident, so I could provide the link. But essentially, someone pointed out that we, as African Americans, appear more upset with Richard's repeated use of the word nigger than we are by the fact that he also openly suggested his African American hecklers be sodomized with a fork and lynched. And all I can add to that is, "Hmmm . . . "